{"id":12047,"date":"2017-01-25T10:38:16","date_gmt":"2017-01-25T09:38:16","guid":{"rendered":"http:\/\/staging.cidom.org\/?p=12047"},"modified":"2017-01-25T10:52:08","modified_gmt":"2017-01-25T09:52:08","slug":"mostar-u-objektivima-fotokamera-anton-zimolo","status":"publish","type":"post","link":"https:\/\/staging.cidom.org\/?p=12047","title":{"rendered":"Mostar u objektivima fotokamera \u2013 Anton Zimolo"},"content":{"rendered":"<p>Mnogi doseljenici iz tada ogromne Austrougarske monarhije obilje\u017eili su istoriju na\u0161eg grada.<\/p>\n<p>Jedan od njih svakako je bio i Anton Zimolo \u2013 fotograf i uva\u017eeni umjetnik, ispo\u010detka foto amater, a kasnije profesionalni fotograf koji je imao atelje odmah pored zgrade pozori\u0161ta.<\/p>\n<p><a href=\"http:\/\/staging.cidom.org\/?attachment_id=12050\" rel=\"attachment wp-att-12050\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12050\" src=\"http:\/\/staging.cidom.org\/wp-content\/uploads\/2017\/01\/Stari-most-Anton-Zimolo-1900-2.jpg\" alt=\"Stari most (Anton Zimolo) 1900 2\" width=\"534\" height=\"389\" srcset=\"https:\/\/staging.cidom.org\/wp-content\/uploads\/2017\/01\/Stari-most-Anton-Zimolo-1900-2.jpg 1200w, https:\/\/staging.cidom.org\/wp-content\/uploads\/2017\/01\/Stari-most-Anton-Zimolo-1900-2-150x109.jpg 150w\" sizes=\"auto, (max-width: 534px) 100vw, 534px\" \/><\/a><\/p>\n<p>Bilje\u017eimo da je samo dva desetlje\u0107a nakon izuma fotoaparata (1839.), u Mostar 1860. godine. stigao fotograf Josip Zimolo, koji predano bilje\u017ei \u017eivot i razvitak grada i Hercegovine. Njegov je rad nastavio sin mu Anton. Ali, nije se Anton bavio isklju\u010divo fotografiranjem. Va\u017eno je napomenuti da je me\u0111u prvima bio osniva\u010d Prvog velocipedskog (biciklisti\u010dkog) dru\u0161tva Mostar. Pojavljuje se me\u0111u prvima (1890.) koji je vozio biciklisti\u010dka takmi\u010denja i ture po cijeloj Hercegovini, sve do Sarajeva, Crne Gore, Sand\u017eaka i Dubrovnika. Na tim takmi\u010denjima je osvojio i brojne medalje i priznanja.<\/p>\n<p><a href=\"http:\/\/staging.cidom.org\/?attachment_id=12049\" rel=\"attachment wp-att-12049\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12049\" src=\"http:\/\/staging.cidom.org\/wp-content\/uploads\/2017\/01\/Fotografija-24-Muslimanka-Anton-Zimolo.jpg\" alt=\"Fotografija 24 - Muslimanka (Anton Zimolo)\" width=\"443\" height=\"593\" srcset=\"https:\/\/staging.cidom.org\/wp-content\/uploads\/2017\/01\/Fotografija-24-Muslimanka-Anton-Zimolo.jpg 729w, https:\/\/staging.cidom.org\/wp-content\/uploads\/2017\/01\/Fotografija-24-Muslimanka-Anton-Zimolo-112x150.jpg 112w\" sizes=\"auto, (max-width: 443px) 100vw, 443px\" \/><\/a><\/p>\n<p>Ali, najve\u0107i doprinos istoriji na\u0161eg grada, Anton Zimolo je ostvario izuzetno velikom kolekcijom fotografija, a me\u0111u prvima je prire\u0111ivao izlo\u017ebe. Neke od najzna\u010dajnijih fotografija iz istorije Mostara je ba\u0161 on ovjekovje\u010dio. Tu ubrajamo seriju fotografija prilikom posjeta cara Franje Josipa Mostaru, brojne fotografije Starog mosta, koje su prona\u0161le svoje mjesto na razglednicama, poznatu fotografiju sve\u010danog otvaranja Banje s Mujagom Komadinom, brojne sa\u010duvane fotografije likova mu\u0161karaca, \u017eena, djece, porodica i mnoge druge.<\/p>\n<p>Treba napomenuti kako je nakon njegove smrti skupljena zbirka Zimolo, s vi\u0161e od hiljadu negativa na staklu.<\/p>\n<p>Ovdje donosimo par njegovih fotografija, a mnoge druge se mo\u017ee prona\u0107i u arhivi fotografija na stranici <a href=\"http:\/\/staging.cidom.org\">staging.cidom.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mnogi doseljenici iz tada ogromne Austrougarske monarhije obilje\u017eili su istoriju na\u0161eg grada. Jedan od njih svakako je bio i Anton Zimolo \u2013 fotograf i uva\u017eeni umjetnik, ispo\u010detka foto amater, a kasnije profesionalni fotograf koji je imao atelje odmah pored zgrade pozori\u0161ta. Bilje\u017eimo da je samo dva desetlje\u0107a nakon izuma fotoaparata (1839.), u Mostar 1860. godine.&hellip;<\/p>\n","protected":false},"author":1,"featured_media":12052,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1],"tags":[],"class_list":["post-12047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-knjige-i-clanci","category-uncategorized","category-3","category-1","description-off"],"_links":{"self":[{"href":"https:\/\/staging.cidom.org\/index.php?rest_route=\/wp\/v2\/posts\/12047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.cidom.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staging.cidom.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staging.cidom.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.cidom.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12047"}],"version-history":[{"count":4,"href":"https:\/\/staging.cidom.org\/index.php?rest_route=\/wp\/v2\/posts\/12047\/revisions"}],"predecessor-version":[{"id":12054,"href":"https:\/\/staging.cidom.org\/index.php?rest_route=\/wp\/v2\/posts\/12047\/revisions\/12054"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.cidom.org\/index.php?rest_route=\/wp\/v2\/media\/12052"}],"wp:attachment":[{"href":"https:\/\/staging.cidom.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.cidom.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staging.cidom.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}